Creation of Land, Seas, and Plants

Title: 6th Day. Then God said, “Let Us make man in Our image, after Our likeness”

Type of work: Conscious Abstraction

Project: “Song of God the Creator”

“Technique of Realization – Light Painting

Year: 2025

Limited Collector’s Photography, archival pigment print on photographic paper of the highest quality, meeting museum longevity standards.
Hand-applied numbering and author’s signature. A dedicated Certificate of Authenticity is attached to the work. It is available in a pool of up to a single copy of 1200 x 800mm and 2 copies 600 x 400mm and has the status of a work of art. +1 AP (an exhibition copy used for competitions and shows, which cannot be sold)

The birth of life can be understood not only as a biological process but also as a metaphysical event. The earth, in its apparent stillness, suddenly becomes a space that gives birth—not to visible forms, but to the very impulse of existence itself.

Light, in this perspective, is not merely a physical phenomenon but a sign of the inner energy of being, a symbol of the dynamism that transforms matter into something more than inert structure. It is a cosmic rhythm within which the very possibility of life pulses.

The focus is not on representing plants or specific shapes of nature, but on capturing the spiritual moment of transition: the instant when being crosses the boundary of nonexistence and opens itself to formation. What “erupts upward” from the earth’s interior is an image of creative power—spontaneous, untamed, and yet deeply rooted in the very structure of reality.

Such a vision of life directs thought toward the question of whether biological creation is not merely the material reflection of a deeper, spiritual act. Could the birth of organisms be nothing more than the surface manifestation of a primordial “yes” spoken to existence?

A photograph that does not show plants or animals, but rather light and rhythm, suggests that the essence of life lies not in form, but in the energy that sustains it. In this way, the viewer is invited not so much to look at an image, but to experience birth—to feel the movement from nonbeing into presence, from silence into pulse, from darkness into light.